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Gillena Cox, TT
 

 

 

 

Proposing The Tankatwist: A New Form

 

1. Tankatwist is based on the tanka form, structured in fives lines within which can be read two parts.

2. The short, long, short, of the first part is kept, but followed by a long, and ending with a short which repeats the text of the first line.

3. Short lines should not exceed five syllables and long lines should not exceed seven syllables.

4. Short lines should be seen as short lines and long lines should be seen as long lines.

5. Line three should be read as important to the meaning of both parts.

6. The poem may be presented with a break showing the two distinct parts; One Part will carry three lines and the other two or vice versa; however, the aspect of continuity and meaning must be maintained; both parts should be seamed and read together.

7. Western elements of metaphor, rhyme, and similies are unimportant to the Tankatwist.

8. The content of tankatwist is based on reality rather than fantasy and can cover any topic; a little humour will lighten the hearts of both writer and reader.

9. Tankatwists can be complemented by images; then they will be called illustrated Tankatwists.

10. A Tankatwist can be the work of a solo writer or it can be jointly written; in either case, it can be written with or with a a break.

10. Tankatwists can be themed and written in joint or single sequences; then they will be called - A Tankatwist Sequence; or - A Joint Tankatwist Sequence.

11. It is fair to criticize the tankatwist within the tenets of the asian forms, looking for skillful use of juxtaposition, resonance, and appeal to the senses; but it would be unfair to criticize along the lines of a tanka because it is not a tanka
it is a tankatwist; where two crucial lines in the tanka are no longer
operating as respond; or sumary, but now there exits instead a new
development, of part two, which carries a constraint: Line Five must be a short line
it must repeat Line One; Part Two, even if written as a break from Part One, is not a stand alone, but relies on Line Three to continue its meaning.

 

 

Quiet

 

quiet night
i miss the sound of windchimes
amusing me
all day long the gently breezes
quiet night

 

 

Clock

 

sound of the clock
marking the passing of time

night into morning
a constant tick tock tick tock
sound of the clock

 

 

Yellow

 

night blooms
in the shadowy dark
yellow poui
and too yellow ixoras
night blooms

 

 

Clouds

 

sunset clouds
painting the azure of sky
approaching night

bird formations fly into
sunset clouds

 

 

Long Days

 

lengthening days
filling the afternoons
sunny highlights
and late bird whistles
lengthening days

 

 

The Chorus

 

one bird whistles
then several others answer
brightness of morning
they start another song round
one bird whistles

 

 

Untitled

 

enjoying a walk
in the pouring rain
i refuse

the offer of a ride home
enjoying a walk

 

 

 

 

 

Read Additional Poems by Gillena Cox

Parrot Haiga

Global Correspondent

Gillena Cox, TTA Glimpse of Hope: A Solo Rengay

 

 

 

 

 

 

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