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Guest Editor's Choice "hearts" Haiku Thread ~ Bernard Gieske, US
 

 

 

Dimension of Images, Senses, Feelings

 

Thirty-five Poets from these twelve countries wrote one-hundred-sixty-six poems for the "Hearts Haiku Thread: Australia, Bangladesh, Bulgaria, Canada, Croatia, Finland, India, Philippines, Poland, Romania, Trinidad and Tobago, United States.

I appreciate this opportunity to make these haiku/senryu picks. I often read and see works on this site about which I would like to respond. In making my picks I looked for those haiku that created for me a second or third dimension of images, senses, feelings; due to the choice and arrangement of words: haiku/senryu that do more than just sit there.

I like this gem by Sandra.

wily caterpillar—
in the heart of lettuce
safely hidden

# 12. Sandra Martyres, IN

This presents a circle within a circle: the curled caterpillar and the head of lettuce. Then there is the triangle of words which add textured meaning. Her combination of wily, safely and heart tell me that much more is involved here than just safety.

There is trickery in this next poem. I know Brian likes to do things differently. How can there be unsaid words drifting or frozen? Yet, this all makes sense with the last line. It effectively expresses a certain feeling which is the result of something implied but not explicitly expressed. Poetry can do what appears to be impossible. You just need to know how like Brian.

words left unsaid
drift upon the east wind—
freeze within my heart

# 07. Brian Strand, UK

This poem by Willie creates a mood which is very inviting. I want to be involved in the musings. I want to hear the music. I want to know which song it is. I would like to be there listening. What is your heart song?

heart song—
the musings of a player
on his saxophone

# 08. Willie R. Bongcaron, PH

While reading this poem also by Willie...

missing the heart's
object of desire...
blind date

# 28. Willie R. Bongcaron, PH

...I couldn’t help picturing a cupid with bow and arrow. Of course, being blind how could it have hit the target? I can identify strongly with the disappointment of this blind date.

This next poem by Cristina-Monica is very unusual. I would never have imagined finding a paper heart pinned on the last page of anything. It creates suspense: last page of what? The answer is surprising and very logical; but then, why the paper heart?. A story read but there is another story untold. A lot of feelings are involved here. It would be interesting to know the unwritten story.

a paper heart
pinned on the last page—
"Romeo and Juliet"

# 29. Cristina-Monica Moldoveanu, RO

In another one of Willie R. Bongcaron’s poems...

jealous heart
the stares of a lover
to his mate

# 30. Willie R. Bongcaron, PH

...the word stares is so strong, since it is something that persists, that I could not help but picture real daggers which the mate sees streaming directly at her heart. The word heart does not have to be mentioned a second time.

In this next poem by Chen-ou, a peaceful and inviting scene is set up. Nothing unusual is expected except hazy might be a hint of something out of the ordinary. The ending was a surprise and actually increased the power of the scent from the chocolate heart. This happening under her foot was nothing accidental but provoked. Since this involves a heart, there is a story.

hazy winter moon
the scent from the chocolate heart
under her foot

# 46. Chen-ou Liu, CA

I like this one of Sandra’s. The first line sets the scene. The key word here is sniggers. It raises a question, why?. So suspense is built up and we don’t know the answer until the last word.

the knave sniggers—
the Queen of Hearts
talks of love

# 54. Sandra Martyres, IN

Read this next one by Alegria and see if you agree.

strawberries
cut in half—
such hollow hearts

# 65. Alegria Imperial, CA

A delightful picture of strawberries and perhaps a surrounding pleasing aroma. A straight forward picture of halved strawberries. The key word is hollow and destroys the whole picture. This is unexpected and changes the reader’s feelings completely but exemplifies a fact of reality. Sometimes friends don’t prove to be true.

This next poem by Marija is a bit puzzling to me. The mood of the scene is immediately created. I can picture the cradle swaying. I assume the baby is in it being the reason it is swaying. I can picture the mother sitting by, but why the loneliness? I’m thinking that maybe the mother’s heart is in the cradle and not the baby and thus the reason for her being lonely. This would then be an excellent expression of her real yearning and wish. More can be said. I would be happy to hear your explanation.

loneliness in the night—
in the cradle swaying
mother's heart

# 70. Marija Pogorilic, CR

This next poem by Munia is very simple and beautiful because of its simplicity. It evokes a feeling and experience that anyone would gladly like to have. Once again the words chosen and arranged are the key. My heart like a spring dream continues to swell after each time I read it.

my heart
swells in love—
spring dream

# 81. Munia Khan, BG

This haiku by Keith was a pick because it creates two juxtapositioned pictures which by identifying the tears with the rain outside increases the immensity of shattered. This was a tsunami.

a stream of tears
falling with the raindrops...
a shattered heart

# 86. Keith A. Simmonds, TT

This is actually my last choice. Because I don’t want to let you end this reading on a sad note, I am including it here so that you will be able to leave on a happier note. Again a beautiful picture is presented. The ending is not what we would expect to find and I like the word tucked which seems to express carefulness, concern, and sympathy.

spring garden—
tucked in among the ferns
bleeding heart

# 97. Cara Holman, US

Finally, in this poem by Karin there is no key word. Every word plays a part and all together they create this beautiful event. This heart is frothy - something exiting is happening. Fluffed adds something more even nicer. These involve the sense of vision, but now new sensations are introduced with the cappuccino. We can see it, taste it, smell it and we don’t do it all at once but sip by sip. It’s a lasting stimulation and sensation. It is all so magical and happening the first time.

a frothy heart
fluffed in cappuccino magic—
their first date

# 96. Karin Anderson, AU

I hope you have enjoyed this heart exercise and now can compose your own special haiku/senryu.

Bernard Gieske, US

 

 

 

 

 

 

 

 

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