Contents
h

 

 

 

Jayne Kaplan, US
 

 

 

 

Adventures in POD Publishing (POD)

 

Fifteen years ago when I received what must have been my tenth rejection from children’s book publishers, I put my manuscript in the drawer and forgot about it. Aside from the sting of rejection and dashed hopes of fame and fortune, it clearly wasn't worth the cost of return postage. I thought the idea was good and the pictures fantastic, but clearly the pros didn’t. Oh well.

I never thought I was a children’s book author, but on a trip to Alaska I ended up inventing a story for an eight year old to coax her into the car and stop whining. I don't know where the story came from. It just popped into my head and everyone liked it, I liked it too. I asked my mom, Betty, to illustrate it and was amazed at the charming pictures she produced. But the powers that be and the lords of distribution did not like it, so it sat in the drawer.

Fifteen years passed, the sun and moon rose and set. Technology evolved. Being a troglodyte, I didn't know about these changes, but Ms. Karina Klesko, Editor of the On-line Magazine, Sketchbook, told my mom and me about POD publishers (print on demand).

Well, what is POD (print on demand)? I had heard of self-publishing, but that meant I pay to publish the book and fill my basement with stacks of unsold books and hire some student to ship them when I chance to get an order. Too much cost, too much infrastructure and too little basement.

So, how does POD work? The POD is responsible for publishing, printing and shipping each order on demand. When an order is received the order is then printed (there is no stock) whether it is a single book or multiples. After they receive payment and ship the book, a royalty is deposited into the author's account. No inventory—no infrastructure. Sounded like a great idea, so we thought it would get done in a snap. Hopes are often dashed on the rocks like surf in the Monterey Peninsula.

POD is a great idea but it is not as simple as it might seem, although it is still a great idea. First of all, Betty and I needed to figure out who were appropriate vendors. We ended up choosing Booksurge (an Amazon subsidiary), although we investigated Lulu, Createspace, and Instabook. The process is more or less difficult depending on the type of book. Since a children’s book requires color pictures and graphic design, options on many POD sites are limited because they don't provide a color interior.

Most of the POD sites are only Internet site accessible (no personal contact) and since Betty and I are not that comfortable with the Internet, we had trouble wading through information with no one to call. It was difficult to figure out what kind of paper would be used, size options, how to calculate our royalty and how the book would be bound. The information was buried in some POD websites with the option of e-mailing someone in Bangalore. Also, the work must be submitted pursuant to certain specifications, which may be difficult if you aren't tech/ graphics savvy. In part, we ended up with Booksurge because there were humans we could speak to. Others may find the Internet communication less daunting.

If your book does not have interior color there are more publisher choices and the design issues are less critical. However, it is important to investigate paper quality, and the types of binding, what you will net in the form of royalty and to see if you can get a sample. If there are illustrations we found that many sites including the lower prices at Booksurge only allowed the use of a fixed template. Booksurge offered an option at $295 which only let us use templates. This meant that pictures could only be placed in programmed places so that there is no freedom for graphic design placement. We might have considered hiring a graphic designer on our own who would have submitted the text and designs as required. We don’t know if this in the end would have cost less or produced a better result.

Betty and I elected to pay the higher price so that we could design the book with appropriate flexibility. When we got into this we didn't realize how much was involved. Should there be a border. What kind? How many spaces should go between sentences. What size should the pictures be? We were given mockups and spent a lot of time debating and requesting redo's. These are questions of layout that frankly go into any magazine, but until you get involved with the process you don’t know how complicated it is and how each decision is really critical, particularly with an illustrated book. It has increased our appreciation of printed text even in the everyday magazines on the stand. But if you are making your own book all these things become critical.

When Betty and I started this we thought it would take few weeks. Given the changes and decisions it has taken months, but we were given designing options which we rejected and now we agree that every design decision we made improved the book.

When the book is finished we will get 35% of any sale and will not have to be responsible for orders or shipments. The content and copyright is ours, but the print as designed is part of our contract. It is important to ferret out how much you will get from sales and we found that this was not easy, although returns seem to be about 35% i.e. if the book sells for $15 you get $5. Now that is done we need to figure out how to market it. That is the real issue when the publisher does not take charge of marketing. It probably will be impossible to get into chains like Barnes
and Nobles. So, we will be nimble—we will be quick, although we are too old to jump over candle sticks. We will send you e-mails. At least we won't be offering you fake Rolex watches, viagra, and investment opportunities based in Nigeria...

I hope your adventure in publishing will be a rewarding one.

Thank you,
Jayne Kaplan

***For purchasing information e-mail Betty at bkaplan297@aol.com

 This book will be available from the publisher late in July 2009: Annie and The Only One Problem Bear by Jayne Kaplan with Illustrations by Betty Kaplan and Cover design by Karina Klesko. ISBN 978-1-4392-3030-5.

For additional information see this link: Announcement:
Late July Book Publication
This book will be available for purchase through Amazon.com—published by Booksurge.

 

 

 

 

 

 

 

 

 

h
to the top

 

 

Copyright © 2006-2009 Sketchbook and Poetrywriting.org  All rights reserved