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The OutlawPoets
A
Love Haiku Thread
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You Be The Judge!
Announcing the February 2007 Haiku Thread
For
February 2007 the theme of the monthly haiku thread was LOVE.
19 Members of
the OutlawPoets posted 187 haiku to this thread between February
1 and February 22, 2007; these haiku were published in the
February 2007 Sketchbook.
The
editors are overwhelmed with your response to this topic.
So, we thought it would be an interesting challenge for each of
you to put on the "editor's shoes" and walk along their haiku
path.
Throughout
the next weeks we ask you to take your time and read all 187 "Love
haiku". We invite each of you to select your three
favorite haiku (do not choose your own) and send your choice
to:
To:
haikuthreadeditor@poetrywriting.org
Subject: 3 love haiku choices
Although this is optional, we hope you will take time to
write a few comments explaining reasons why each of your choices
is a favorite. Your responses will be featured in the September
15,
2007 Sketchbook.
An author list is included at the
end of the haiku on this page.
We look forward to your comments
and your choices.
Karina Klesko, Sketchbook editor
John Daleiden, Sketchbook editor
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The Judges Speak
Cristian
Mocanu, RO
It was a very-very
difficult choice. But let me try (and I will add some comments):
Unanswered love—
cold raindrops from your umbrella
slide down my face.
# 82. Zhanna Rader
Zhanna's haiku
just has it all: seasonal reference, a metaphor
hinting at the lover's "cold" response. The raindrops coming
down tear-like on he cheeks come from the departing lover's
umbrella, as a kind of lingering souvenir. A story well told,
atmosphere, just about everything making up a jewel of a
poem.
going out in search
of the word you didn't hear—
blizzard
# 104. Ginka Biliarska, BG
How nice to see
Ginka join our thread...She's a well-known
haijin and renku poet. From her offer I picked this: it
wonderfully depicts love's excitement: the lover running to ask
again: thirsting for the soul mate's each word (or maybe left in
the cold, thinking of possible words and scenarios?) Also
leaving the winter kigo "blizzard" as last, Ginka adds a last
touch to the picture, making for a spectacular "aha" moment...
dreaming of
you...
even a cuckoo's cry
is a hymn
# 125. Rita Odeh, IL
Umberto Eco says a
good literary work is an open one-open,
that is, to all interpretations. I cannot know the "texture" of
Rita's thoughts when she wrote this, but to me it spoke
volumes. In Japanese tradition, a cuckoo song is a symbol of
unreciprocated love. Cuckoos are a bad omen for lovers.
Dreaming of one's love, however, turns everything upside down.
It turns the cuckoo song into a hymn (maybe a religious one,
of thanksgiving for the gift of love, as if echoing the poet's
heart? even though it may all just be a dream and the love
may still be unfulfilled?) In any case, it's a heartening haiku
from a hopeful, optimistic lover!
Yours,
Cristian Mocanu
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The Judges Speak
Gillena Cox,
TT
After reading all 187 love
haiku, I choose these as my
favourites:
full moon
I think I'm in love
with a rock
# 50. Ed Baker
It is possible that something
out of nature can stir us that much this haiku reminded me of a
visit, while on vacation, to a relative's new home in Grenada.
In the front yard was this huge natural rock, which I fussed
over and begged him to leave it natural and not to paint
it.
The humour of the moon full
implies a certain zaniness and makes for a well wrought haiku,
to my mind.
the memory
vanishes in evening mist
our last embrace
# 05. John Daleiden
I believe that our most
beautiful moments are usually the hardest to retain. I like the
quality of resonance in the vanishing evening mist in this
haiku.
Valentine's blues?
cornflower eyes accented
by fresh cut roses
# 08. Trish Shields, CA
Part of loving is appreciation
of sadness, and yes, in the happiness of Valentines day, some of
us are left out with the blues as is the case of the haiku
persona with eyes as blue as cornflower—here again, it is the
quality of resonance that appeals to me.
much love
gillena
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The Judges Speak
Terra Martin,
CA
full moon
I think I'm in love
with a rock
# 50. Ed Baker-san
#50: As there have been many
nights that I have walked along a riverside and or a beach I
could identify with the images that were portrayed. When the
moon is a certain brightness the shapes and textures of the
rocks are amazingly crisp. I also have had those aha moments
where I felt I was in love with not one rock but several.
scent of roses
wind god of love
rustling the petals
# 146.
Shanna Baldwin Moore, US
#146: This one I found magical
when read aloud. The repeating "s" sounds were liquid honey on
the tongue and sounded like the breeze. The amount of smell,
sight and sound that was packed into this little gem was totally
impressive. Even when reading it several times over the same
quality is felt and you feel that rustle on your soul as if it
is a petal.
when the last rose fades
the imprint of your kisses—
memory’s keepsakes
# 184. John Daleiden, US
#184: The sentimentality of
this ku moved me. My Grandmother used to take various flowers
from the garden and put them between the pages of books. She
would press them as reminders of different holidays and events
that happened. She was a grand lady and when I read this ku I
immediately thought of her romantic nature and was sad because
she is
gone but happy that she in her nature was like this poem.
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The Judges Speak
Ginka
Biliarska, BG
full moon
I think I'm in love
with a rock
#50. Ed Baker-san
I perceive as a reader two
possibilities—I read this
haiku as a love with a real rock, or as a love with a
woman who is cold and hard like a rock. For me it
is amazing.
cemetery visit
we sat and read
Dad's love letters
# 83. Trish Shields, CA
I like this connection between
the generations and the respect to the feelings of the people
who have gone. I understand the poem in this way. I feel the
time in it is like one endless substance...
Valentine day
a beggar surprises his wife
with red slippers
# 167. Rita Odeh, IL
A very warm haiku with an
unexpected end--according to me. The surprise in haiku poetry,
as we know, is very important. I find something new in this
poem, something invisible that is suddenly revealed--pieces of
our life from today.
Ginka Biliarska, BG
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The Judges Speak
Zhanna P.
Rader
our eyes meet—
the coffee i am drinking
misses my mouth
# 38. Terra Martin
It is clear that the woman (I
assume it's a woman) drinking coffee is overwhelmed with joy at
seeing that the man (I assume it's a man), she is infatuated
with, also looks at her. She is so absorbed by the charge which
passes between their eyes that she is not careful enough at
bringing the cup to her mouth, and thus she spills some coffee.
The humor in this senryu (for I think it is a senryu) is very
attractive to me. It is written well, no unneeded words,
everything is to the point. We read it, we chuckle and we
understand the situation. The physical look of the poem is
pleasing, too, with the first and the last lines being shorter
than the middle one.
warmth of early spring:
even the cheated lover
is humming a tune
# 107. Cristian Mocanu
I like this haiku for the
positive feelings it evokes and for its humor. The man (I
assume) probably was not in the best spirit when he found out
that his beloved woman (I assume) cheated on him (or that he
lost the love he wanted, or she tricked him, or fate was against
him). However, the spring day was so lovely, and the first warm
air of spring so soothing, that the man's spirit greatly
improved, and he began humming a tune. Life goes on, after all!
There probably will be a new love ahead. The 5-6-5 haiku has
told us a lot about the state of the man's mind, when his love
affair went wrong, but an early-spring day put him in a good
mood again. One cannot read this haiku without a smile.
stop me embracing you—
wrong place, wrong time
wrong me
# 121. Ginka Biliarska
It is a very dramatic love
haiku. The woman is so much attracted to the man, or so much in
love with him, that even knowing that she should stay away from
him, she still can't help being near and embracing him. He might
be married, he might be someone else's boyfriend, he might even
be a person of not very high morals, but his "magnetic" pull is
too strong for her to resist. She does not really ask him to
stop her embracing him - she only thinks that. Still, if he does
not resist her attraction to him, she cannot control it. She
also knows that she does not act like usual self, thinking of
herself as "wrong me". It is these intensive feelings of love or
infatuation that make the haiku so powerful.
This poem does not have a kigo, the syllable count in the lines
is 6-4-2, and it is not an image-type haiku. And in spite of all
that, it works wonderfully well, for me at least. I judge haiku,
first of all, by the impression it makes on me, by how much I
get involved in it. And this is one of cases when I can feel
what the woman passionately in love feels.
I, in fact, have chosen forty one more haiku that I really
liked.
Trish Shields: 2, 15 (very much), 17, 57, 61 (very much),
67 (very much), 69, 73 (very much), 83, 89, 92, 105 (very much),
106, 112, 115, 130 (very much), 151.
Cristian Mocanu: 34 (very much), 45, 81, 96, 119 (very much).
Rita Odeh: 32 (very much), 87, 113, 160, 176.
Betty Kaplan: 28, 136, 145.
Karina Klesko: 23 (very much), 110.
Shanna Baldwin Moore: 71, 108.
Andreas Gripp: 56, 66.
John Daleiden: 10.
Terra Martin: 19 (very much).
Ed baker-san: 50 (very much).
Ginka Biliarska: 102.
Gerri Bravi: 163. |

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Alphabetical author list and haiku number
eb = Ed Baker,
US: 50
gb = Ginka Biliarska, 102, 104, 121
Gb = Gerry Bravi, CA: 163, 164, 165, 165, 166
db = Daniela Bullas, UK: 68, 98, 162
gc = Gillena Cox, TT: 74, 79
jd = John Daleiden, US: 01, 05, 07, 10, 26, 31, 36, 139, 171,
184
vpg = Victor P. Gendrano: 72
ag = Andreas Gripp, CA : 56, 58, 66
bk = Betty Kaplan, US: 13, 24, 43, 55, 132, 136, 138, 145
kk = Karina Klesko, US: 23, 110, 137, 148
Mk - Michael Kleiza, CA: 169
rm = Rich Magahiz, US: 20, 35, 40, 47, 53, 100, 117, 141, 155,
176, 183, 185, 187
tm = Terra Martin, CA : 04, 19, 22, 25, 38, 49, 54, 67, 69, 103,
105,
130, 144, 149
cm = Cristian Mocanu, RO: 30, 34, 39, 45, 52, 81, 96, 107, 119,
123, 131
sbm = Shanna Baldwin Moore, US: 06, 09, 108 , 126, 146
ro = Rita Odeh, IL: 21, 27, 29, 32 ,65, 85, 87, 90, 113,
125,128, 160,
167, 168, 172
Zh.R.= Zhanna P. Rader, US: 03, 12, 14, 16, 18, 42, 44, 46, 51,
60,
62, 64, 75, 77, 80, 82, 84, 86, 88, 91, 93, 95, 97, 99, 101,
111,
114,116, 118, 120, 173, 175, 178, 180, 182
ts = Trish Shields, CA : 02, 08, 11, 15, 17, 33, 37, 41, 57, 59,
61,
63, 70, 73, 76, 78, 83, 89, 92, 94, 106, 109, 112, 115, 124,
134, 142,
144, 174, 177, 179, 181, 186
jw = Jeffrey Woodward, US: 147, 153
19 Poets
These
haiku were published in the February 2007
Sketchbook. |


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