Contents
 

 

 

Sketchbook

Karina Klesko, US

 

Villanelle

Wild Rose

She:   I can hear howling in the wind outside.
         Who are these wanderers in green and red?
He:    For the girls, a flower basket beau-tied.

         Long trailing stems generous in their stride
         A flask of ghostly moonlight amply bled.
She:   I can hear howling in the wind outside.

          Down the winding path a snake’s budding bride—
          Sharp thorns to guard this beauty’s scented bed.
He:     For the girls, a flower basket bow-tied.

She:   The rosy countenance aging provides
          Going backward, going forward in dread.
          I can hear howling in the wind outside.

She:   Swagged across hedgerows, your silken skins slide—
          Dark veins of twisted roots a song-bird's thread.
He:     For the girls, a flower basket bough-tied.

She:   On the hem of sunset you’ll see me ride
          Away from you—sadly, I forge ahead.
He:     I can hear howling in the wind outside
          For the girls, a flower basket un-tied.

 

Villanelle

No Words

All that's left, a broken pine bough.
Our love was bled one snowy day.
Oh, how long have you been gone, now?

My bleeding heart found peace somehow.
Among these mangled bones, I pray.
All that's left, a broken pine bough.

No words to speak, nor thoughts allow.
This mourning veil, so thick to weigh.
Oh, how long have you been gone, now?

Violets laid on your bier, prau.
Clouds above, dull blue and gray.
All that's left, a broken pine bough.

This day I'll shed this long dark cowl.
That binds...leave me one last foray.
Oh, how long have you been gone, now?

Each in swollen beds of down.
In nature's love of those lost lay.
All that's left, a broken pine bough.
Oh, how long have you been gone, now?

 

Four Tanka

Isn't it strange
that you are in my thoughts
and I worry so . . .
Will you be there tomorrow
emptiness?



cows strive alongside man,
dung warming in the streets
this fecund nectar
everywhere at once
drawing us in

 

Autumn Leaves

a melody in silver chimes,
playful dancing elephants
hardly resting—
we rake and rake
the autumn leaves 


Thunder and Lightening

each night you come to my door
and tease me with your power
so strong are the feelings
as you leave me standing there—
counting the distance between

 

Haiku

squirrels spiral
up into the corkwoods
gray clouds



prairie ghost town
not much for the living
redbud tree



moonlight
'round the hickory tree
a flutter of snowflakes

 

Acrostic

Battle Of The Bass Fiddle

Slowly the deep tones of evening
Envelop me in a lover's embrace
Nocturnal preludes in binary form
Soft are the pulses of windswept waves
Undiluted measures in rhythmic strokes
Abandoned perspectives in morning's eye
Lost in the staccato, a pine warbler's cry

 

Fibonacci

Grammacy Park

Plain
brown
barrel,
yellow leaves
damp from morning dew
clings to weathered stays, letting go . . .
a new world alive in the grass—acorns everywhere!

 

Shanzi

Landisfarne Gospels

painting patterns
illuminated

picture manuscripts
of knots and links

animal shapes
weave in and out
of biblical seams



"Lauds"

the hat lady
on Sunday morning

touched by winter sun
a novena sung

whiskied water
and broken bread
purchased over time



On the Curbside

This winter wreath
in snow-colored wind

a ring discarded
moonlit needles

the night hanging
'round a circle—
one light for the world



Polished By The Years

tall trees
three dimensional

diamond latticed
white and gray bark

on a wood deck
ladder-back chairs—
sun-tipped winter days



Circles

in the Elders
an empty bird's nest

filled with colored leaves—
this perfect branch

the sun's garland
of winter days
wrapped in a cocoon



Reflections

a band of light
across southern pines

cast playful shadows
near their roots

the pond's surface
ripples of sound—
a falcon circles

greening branches
all at once the sun

bursts out of darkness
an infant's cry

desiring heart—
the spider weaves
an old lullaby

 

Free Vers

Out On the Town*

For Sale sign on a Pick-up Truck
next to a broken down trailer
STICKS AND STONES AND STICKS. . . 
AND WE ALL FALL DOWN

Sunday morning sermon
in the middle of the field
a few pews scattered
THE SAME ONES EMPTY
STICKS AND STONES AND STICKS. . .
AND WE ALL FALL DOWN

Dr. Lord "open for emergencies only"
beyond the beams of headlights
all the buildings evacuate the 'flea market'
STICKS AND STONES AND STICKS AND STONES. . . 
AND WE ALL FALL DOWN

People speak in Spanish on all the radio stations
tell me what I want to hear so I can understand it
STICKS AND STONES AND STICKS. . .
AND WE ALL FALL DOWN

My son points to the sign
that says no passing as we pass it
his perplexed and confused thoughts
STICKS AND STONES AND STICKS . . .
AND WE ALL FALL DOWN

At home the horizontal trees
turn-key operations
the cat in the hat comes back
a spot of sky stuck on the wall
STICKS AND STONES AND STICKS. . . 
AND WE ALL FALL DOWN

*Hurricane Rita -September, 2005 Louisiana, USA

Karina Klesko

 

Jackie Paper Comes No More .... 

Outside of Wal-Mart Superstore,
Lawn and Garden Center,
I sit comfortable on the rattan furniture
with big leafy greens and blooms of white,
a smoky coffee table and a side chair with ottoman—
the February sun warms these new cotton fields.

Purchases in the cart beside me,
I rummage for a book to read
as I wait for my brother,
a hostage in "Automotive".

Magnolia perfumes the imagination,
bells ring from a hundred churches.

My focus moves to a couple
looking at roses in plastic pouches,
hemp garrotes burgeoning stems.
"Four dollars for each one,"
the man said and then he asked her if
she had a wis-steeeer-E-a. She said no...
they discussed which one was 'sweeter'—rose or wis-steeeer-E-a
a bit longer then went on their way.

The sun travels to the down side of day—
I move to the chair with an ottoman facing it,
the pavement gray, skies light blue,
expensive white vehicles,
in the parking lot—the main color in the south,
irregardless of race,
any differences muted into a palette of undertones.

Finally, time to leave,
I pass rows of ornate bird baths,
adorned with sculpted cherubs & Mary—
waiting to be filled with that 'nasty water'* of New O'leans
"tea made bitter green" from rotting lilies and corpses—
a mockingbird sits on top of the cart return.

children bake
cookie cutter cookies—
a puff of the magic dragon

*"Nasty Water"  James Nolan

Karina Klesko

 


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