Contents
 

 

 

Sketchbook

Gillena Cox, TT

The Fold*

Advent

New year, a sign post
along a linear journey
in between point A to almost
there: a span unfathomable.
Advent—reads the sign post
The first candle is lit
on the Advent Wreath; a faithful boast
to the mystery of a Saviour's coming
again, yet again; in thanksgiving a toast.
First Sunday in Advent—
a new—year sign post

 

Five Point Something

I sit, in front of the TV
in my house
and then, suddenly
there is a rattling, everything's shaking;
I freeze! in front of the TV;
my voice, my body, my brain
is numbed into a surreal levy
of the earth's sway.
October's goodbye, sure is scary;
a "five point something", on the Richter Scale.
I take a slow, deep, breath, in front of the TV.
 


Another Divali Night

Smell of ghee, and crackles of a tiny flame
from a deya, cradled in the notch
of the split bamboo rod. Tensile frames,
bend to meet and match, the artistic minds
of devotees. Offered up; the crackles of a tiny flame,
like leaping hearts in glee
after penance and fast, now free of blame
before Mother Lakhsmi;
to cycle anew, into another year-frame
of mercy. Step by step, the journey continues
until; another Divali night; and the crackles of a tiny flame.

 


*THE FOLD: A New Experimental Short Form

THE FOLD takes credibility from haiku; it shares moments which are special simply and exactly. 

Grasping the tools of juxtaposition and contrast, THE FOLD crafts itself into a rhyming form of ELEVEN lines—unlike its three lined haiku progenitor. There is one rhyme continuing throughout the poem, occurring at every other line: uneven lines rhyme. Lines ONE and Two, ELEVEN and TEN carry the same last phrase, to form the EDGES of the FOLD. Line ONE repeats at line FIVE which is the CREASE of the FOLD.

Why eleven lines? I was born on the eleventh day of the month.

 


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