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Sketchbook

a journal for eastern and western forms

 

Double Fibonacci

John Daleiden, US

If winter comes, can spring be far behind?*
 

 

Snow
sweeps
across
fields and hills
sepulchring all
touched by the spells of Morpheus —
a sleep that knits up the raveled
sleeve of care, the death
of each day's life, sore labor's bath,

the balm of hurt minds,
great nature's 
second
course,
chief
balm,

 life's
great feast,

nourisher
of spent energy

poised for a rebirth of spent life,
a gyring vortex enriched and touched by Morpheus,

master purveyor of all dreams,
a fibonacci
design

bold,
grand

 

 

Spring
springs
outward—
the landscape
burgeoning with blooms
and scents more delightful than love—
everywhere the nectars of the God's—brushed lush colors—
peach blossoms, pink cherry petals—
in the green meadows
bleating sheep
bear young
pink
lambs—
snow
melt
courses
off mountain
ridges, the remnants
of brutal winter snows trickling,
cascading into floods overflowing river banks
and rushing onward to the sea
beneath a cloudless
blue sky
bright
blooms

 

*from Ode to the West Wind by Percy Bysshe Shelley, English poet (1792 - 1822)

 

Fibonacci Facts

The Fibonacci sequence is named after Leonardo of Pisa, who was known as Fibonacci. Fibonacci's 1202 book Liber Abaci introduced the  sequence to Western European mathematics, although the sequence had been described earlier in Indian mathematics (Wikipedia).

By definition, the first two numbers in the Fibonacci sequence are 0 and 1, and each subsequent number is the sum of the previous two. Hence: 0 1 1 2 3 5 8 13 21 34 55 89 144 233 377 610 987 1597 2584 4181 6765

Fibonacci numbers are closely related to Lucas numbers in that they are a complementary pair of Lucas sequences. They are intimately connected with the golden ratio, for example the closest rational approximations to the ratio are 2/1, 3/2, 5/3, 8/5 etc.  Applications include computer algorithms such as the Fibonacci search technique and the Fibonacci heap data structure, and graphs called Fibonacci cubes used for interconnecting parallel and distributed systems.

 The Fibonacci sequence appears often in nature as the underlying form of growing patterns. For example, conch shells and sunflowers follow the pattern as they grow in a spiral formation that increases as it moves outward. Other biological settings include: branching in trees, arrangement of leaves on a stem, the fruit spouts of a pineapple, the flowering of artichoke, an uncurling fern and the arrangement of a pine cone.

Fibonacci poetry is a literary form based on the Fibonacci number sequence. The sequence begins like this: 0, 1, 1, 2, 3, 5, 8, 13, 21, etc. In order to find the

next number in the sequence, add the two preceding numbers. The sum of these two is the next number, which then is added to the one before it to get to the next number, and so on.

Deborah Haar Clark notes, that "Fibonacci poetry is not new. It’s been around in one form or another for centuries, with works applying the numerical sequence to syllables, words, or letters" (About.com Poetry).

However, The six-line, syllable count fibonacci itself was brought to wide public attention by Gregory K. Pincus on 1 April 2006. His blog has been the center of this new form of poetry. After Pincus published his blog on Fibs, they began appearing widely on the internet.  Pincus wrote on his blog, "To my surprise (and joy), I continue to find new threads of Fibs popping up all around the Web. I've seen Fibs in over a dozen different languages" (
Wikipedia: Fib (poetry).

Fibonacci poems can embody the number sequence in two ways, either in numbers of syllables or in numbers of words. Some people write their poems so that each line contains the number of words of its place in the sequence, and some use the sequence to determine the number of syllables in each line. Both methods create very visual poems that display this naturally occurring growth pattern on the page (or screen)
(About.com Poetry).

 

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