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Charles Tarlton, US
 

 

 

 

Four Tanka Prose

 

1

How much weight should you give to climate and weather when deciding where to live? If it rains a lot where you are, is that better or worse than snow and ice? Let’s suppose your choice is between Connecticut and California, between four complete seasons (hot and humid, autumn leaves, snow and ice, and cornus forida inflorescence) and a single year-long stretch of variable weather (supporting oranges, almonds, artichokes, and cherries) with a concentration of rain in January and February.

looking away
distant view to the Bay
in the windows
light grained bamboo
reflected on the glass

 

 

2

With the snow two feet deep outside, we decided not to leave the house at all today. I ransacked the freezer for leftover breakfast sausage and a little salad. There was a can of whole kernel corn in the pantry, so we could have fritters; either with sausage and syrup or salad—sweet, as the English say, or savory.

performing
improvised feats
the face of an actor
making up life
on the fly

 

 

3

My son’s girlfriend is native to Los Angeles, but, linguistically, her family comes from all over. Her mother is Belizean—English, Spanish, Kriol—and her father’s from Cambodia—gives you Khmer, Cham, and French.

at the florists
jumbled up, roses
and tulips
arrangements of lilies
and chrysanthemums

 

 

4

الثورة

The news is filled with images of outrage and discontent. Where for so long there had been stability or even stagnation there are now winds of change blowing old dust out. That is the optimistic view, but we have seen similar things before and we still don’t know what to think or what to do.

rain of pink chiffon
cherry and plum petals
giving way
these tiny hard fruits
and red-green leaves

The world has for so long reflected stark contrasts of wealth and poverty, sorrow and joy, freedom and oppression, in some places, a dignity given freely to human beings while, in other darker places, a trampling of men and women in the mud and the blood. Deflagration pressures build until the passion leaps into flame.

wondering what
proscribed music
surges
when the first camellia
opens and peeks out

Part of the world stuck in the past, they say, but the past is always just an invention of the present. What happened a thousand years ago, what people felt and thought, is no longer directly knowable by us in the here and now. Idealizing rigid order and strict obedience in the name of tradition or some old or sacred way amounts to a trick of sorts.

my yard now
a path in Hanegi Park
plum blossoms
vaulting
dream chitter of biwa

 

 

About Charles Tarlton, US

 

Charles Tarlton, US: I am a retired university professor from upstate New York (The University at Albany), but I now live in Oakland, California with my wife Ann who is a painter. I studied at the University of California, Riverside and UCLA and I have lived and taught in New Zealand, Malta, British Columbia, and, most recently, in retirement near Bagnoles in Normandy. I have published traditional western poems in Landfall, Jack Magazine, Houston Literary Review, Tipton, and Barnwood, and an e-chapbook in the 2River Chapbook Series, entitled, The Vida de Piedra y de Palabra: Twelve improvisations on Pablo Neruda's Macchu Picchu. More recently, I have been writing haiku and tanka, some of which have been accepted for publication in Haibun Today, Red Lights, and Simply Haiku.

This is Charles Tarlton's first appearance in Sketchbook

 

 

 

 

 

 

 

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