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Peggy Heinrich, US
 

 

 

 


Celebrating Mother's Day May 9, 2010

 

Tanka

 

New Year's Eve
in the hall closet
the price tag
on her new silk dress
still dancing

This Tanka originally appeard in Ribbons, Volume 6, No. 2

 

 

Thanksgiving dinner
mother's modern art
has become my own:
jellied cranberries
from a can

 

 

Free Verse

 

Agnostic's Melody

 

easy to believe
in God

easy
to doubt



hard
to believe
in God

hard
to doubt

 

 

Caduces

 

snake of body

snake of soul

slither off
to twist and turn

your dazzling helical dance



snake of body

snake of soul

twine upward
while the tom-tom thumps

a winding beat

 

 

City Song

 

The last time I saw a sunset
houses were two feet tall
or I was
and the nightingale I thought of
as first cousin to a griffin
until I saw its picture
in a Giant Golden Book
of Arabian Nights in color
and in Webster's Unabridged
(under N)
and in the Yellow Pages
(under P for Pets
and F for Food for Cats).

 

 

Cold Facts

 

I cough, I sneeze, I rasp, I wheeze

(this is an endless cold)

red nose, red eyes when I arise,

('twill last till I grow old).



Aches and chills, a million pills,
try any treatment sold;

nose drops, cough drops, nothing stops

the curse of an endless cold.



Then one bright day, hip-hip-hooray,

I rise as good as gold;

no sniffs, no drips, no peeling lips,

just the end of an endless cold.

 

 

To Face the Day

 

Sleep is the little death

that surfaces each day

in the gray morning face,
the puffy eyes, their pouches
weighed down by unforgiving gravity,

the lips a down-curved replica
from tragedy's grim mask.

The bathroom mirror frames a zombie
waking to the quick splash of chill.

Color returns. Hidden fingers
yank tight the face's flesh.

The mouth's sad turn reverses

to a somewhat smile.

Light from a distant star

floods each freshly opened eye.

A sort of self returns
to the person in the mirror.

As day ticks down to noon,

the face, the self, the soul,

in time's slow way,

revives with each quick thought,
each spoken word, each smile.

 

 

 

About Peggy Heinrich

 

Peggy Heinrich's poetry has been published in two collections: A Minefield of Etceteras and Sharing the Woods. Her poems have appeared in Texas Review, San Fernando Poetry Review, Future Cycles and many other small press magazines. Peeling an Orange, a collection of her haiku, was recently published by Modern English Tanka Press to glowing reviews and has been nominated for a Pushcart Prize.

A native New Yorker, she recently resettled in Santa Cruz, California after many cold winters in Connecticut.

 

 

 

 

 

 

 

 

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