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Carmella Braniger, US
 

 

 

 

Tanka Sequence

 

Rome

 

i sit
on these steps
where we met
so long ago
in a song

soft light
scarred alter
in shadow
i light a candle
for you, the one lost

keats’
death mask
i glance
out his window—
the Spanish steps

those final days
before his death
for how many hours
did he sit watching
people pass?

my camera
captures her crawl
up the same stairs
Christ climbed
carrying his cross

hair under glass
jawbones in urns
arms and hearts
in alter boxes
is nothing sacred?

 

 

Santorini

 

fresh-squeezed
orange juice
bittersweet
yesterday’s kisses
linger on my lips

kalo mina
we celebrate
together
the new month
sun and moon in orbit

walking the strip
for souvenirs
when will you let go
of the cords
binding you back?

coming out of a shop
we are greeted
by an old man
with a walking stick
riding a donkey

free of the crowd
i slow my pace
one step
then two
finally alone

black pebble
beach
blue skies
a breeze brings
the hint of mint

cyclops
with fresh oranges
a retreat
on the road
to Oia

four-hour hike
across the ridge
ah, sunset
we feast
forget to remember

pink sky
the still water
becomes a mirror
for the sun’s
final rays

we start back
along the path
suddenly
i turn
you are not there

waves lapping
the black beach
take my voice
leave me
howling at the moon

 

The two tanka sequences were written during my travels to Greece and Italy last summer ("Rome" & "Santorini").

View these poems in a Haiga format:

 

Carmella Braniger (PhD) teaches creative writing at Millikin University, in Decatur, Illinois (USA). Her poems have appeared or are forthcoming in Modern English Tanka, Atlas Poetic: A Journal of Poetry of Place in Contemporary Tanka, Moonbathing: A Journal of Women's Tanka, Chrysanthemum, Eucalypt, buzzard picnic, Sycamore Review, Poems and Plays, and The Dirty Napkin. Her chapbook, No One May Follow, was published in 2009 by Pudding House Publications. She collaboratively writes and publishes poetry sequences with fellow English faculty and students. Her recent travels in Greece (Athens, Crete, and Santorini) inspired a series of tanka sequences, "Rome" and "Santorini".

 

 

 

 

 

 

 

 

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