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Saul Bernstein, US
 

 

                           Beethoven

 


As I began to think about Beethoven I became aware of his anxieties. His frustrations stemmed from his deafness. The most popular work of his time was Moonlight Sonata, which he grew to dislike for all the audiences wanted to hear was it. Never mind his symphonies, No Moonlight will do, thank you. I started with this piece as an irritant to remind me of my purpose throughout the work. The other element that became apparent to the work were the hands. In all of art history it was the hands that were used to express emotions. In the Renaissance it was codified. Each digit had a meaning. A thumb up in the air meant something different than the forefinger in a circle. Two fingers up in the air means victory. I began to study conductors use of the hand and that became the starting point for this work. The hands slowly became his figure and head.

 

                      

 

View Additional Work by Saul Bernstein

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