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Sketchbook 

Jeffrey Woodward, US

 

 


Hotel Metropole

The Hotel Metropole, autumn 1971, $20 per week, Sixth & Harrison, in San Francisco's South of Market neighborhood. Step around or over the sidewalk’s sprawled out winos and scattered shards of glass to find the place. The area has yet to undergo its later gentrification by marketers and real estate developers who will rename it SoMa. Perhaps the Hotel Metropole is no longer there. Perhaps it is now remodeled and a four-star hotel for the tourist trade.

The rented room is just off the third floor walk-up, with a simple cot and a few coat hangers. At 6 x 12 feet, it is somewhat smaller than Kamo no Chomei’s famed Ten Foot Square Hut, nor is South of Market the equivalent of Chomei’s rustic mountain retreat at Toyama. Dull beige walls and a solitary, miniature window which, if one bothers to open its dingy curtain, looks out, eye-level, upon an off-ramp of I-80. Trucks and cars rumble by and shake the room day and night.

the long night
face-to-face
with the wall

How did I arrive? And why did I come? I'm 19, sick of the narrow confines of the Midwest and of my hometown, eager to see the world. It does not occur to me to join the Armed Forces to do so.

A friend drops me off at I-80, the Ohio Turnpike, and I hold up a cardboard sign that says "S.F." Easy and unpremeditated. One relatively straight road, a mere 2400 miles or so. I have $60. I have a backpack. Nor am I new to the game. I've hitchhiked north, south, east and west frequently before. Simplicity itself.

Two nights later, at 2 a.m., in western Nebraska, I stand in that proverbial "middle of nowhere" with no sign of a house or of traffic and no prospect of a ride until morning. I decide to make my bed right there, beside the road. No one, however, had warned me that Nebraska can be cold on an early October night. It’s difficult to sleep. I open my eyes and look up:

throughout the night
crossing the Great Plains
the Milky Way

I spend the hours between wakefulness and sleep, constantly aware of the cold until, just before dawn, the discomfort is too much. I get up and gather my things:

a makeshift bed
of grass is left
to the white dew

I walk down the dark road in a westerly direction, swinging my arms. The activity wakes me and I warm up. Fortune is a mysterious thing. Fifteen minutes later, the first car of the morning passes me. Another five minutes and a van pulls up. I jump in and face two men not much older than myself.

"How far are you going?" the driver asks.

"To the end of the road," I say.

"Really? San Francisco? So are we."

They're driving the entire route in shifts and invite me to take my turn. I do so eagerly, the quicker to arrive on the coast. My two benefactors, recently discharged from the Army, are on their way home. We become friends.

And so I find myself at the Hotel Metropole. I attach no stigma to this neighborhood of flophouses, pawnshops, decrepit warehouses and winos. The area even has its own small place in literary history. Just a few blocks over, Gary Snyder used to buy his clothes at the Salvation Army. Other Beats walked these streets and Jack London, in an earlier time, passed through here.

I didn't choose San Francisco by chance. I have literary correspondents who reside in the city or immediate Bay Area, other poets and some editors, all of whom welcome me out. I quickly contact each in turn and announce I am in town. People are eager to meet me, finally, face-to-face. However, once I make them aware of my location in down-and-out South of Market, I find myself as a rule going to their neighborhood or neutral ground for a get-together: North Beach, the Haight, Russian Hill or even far Palo Alto or Berkeley. I have very little money and eat once a day.... I can't afford bus fare and so I walk.

no one comes to sit
in the cobblestone square
autumn afternoon

There are exceptions to every rule, however. A.D. Winans, nearly twice my age, has been a steady correspondent and even published poems from this Midwestern teenager in his magazine, Second Coming. When I phone A.D., he makes immediate plans for a meeting a few nights down the road. By now, attuned to the wariness directed toward my residence, I ask, out of habit, where we should meet. He replies, warmly and without hesitation, that it is no problem: he has a car and my address; he will pick me up.

Time passes as time will and the evening of my meeting with A.D. arrives.

October lamplight
barely enough to fill
a tiny alcove

A.D. is punctual and as open and friendly in person as he has been by letter or phone. We get in his car. This is when I discover two things hitherto unknown to me about A.D. First, he is that rarest of persons, perhaps only slightly less rare than, say, the endangered condor: a true native San Franciscan. Second, his amiable nature conceals a possible talent as a tour guide, for A.D. immediately begins to wheel me around town to show me the essential sights, punctuating every one with colorful anecdotes about the city's history and past. We tour, by car, Coit Tower, North Beach (which I already knew), Nob Hill and even the Embarcadero. A.D. appears intimately acquainted with every obscure dead-end street, and alley and short-cut.

This tour guide aspect of A.D., which possesses its own unique humor and character, is highlighted by his mock horror when I answer negatively to his inquiry as to whether or not I've seen famous Lombard Street, "the world's most crooked." It is imperative that we go, of course, and A.D. maneuvers down its insistent snake-like hairpin curves with one hand on the wheel, while his free hand liberally punctuates an anecdote about the glory days of the Haight-Asbury and its recent decline. When we reach the bottom, A.D. asks me, as one might a child at a theme park, if I want to do Lombard Street again. Perhaps he is joking, perhaps not.

warming itself
at its own wishful fire
a shooting star

Instead, we end the evening in a busy bar somewhere in the Mission District. Here, local San Francisco poets mix with other patrons who don Western boots and hats, foreshadowing, perhaps, the Urban Cowboys to come. I’m not old enough to drink legally, but my age is a question that neither the waitresses nor A.D. inquire about. Perhaps I’ve lost some of my youthful appearance due to my many experiences on the road. Perhaps it simply is of no import.

Back alone at the Hotel Metropole late that night, I reflect on A.D.'s native and open courtesies, perhaps even a touch of Old School charm so lacking in my other S.F. acquaintances. And I remember the panache of my raconteur's one-handed tour of Lombard Street and wish I'd taken him up on his offer to repeat the ride "one more time."

a neighbor moves out
but no one moves in
and autumn deepens

 

 


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