|
Sketchbook
Hortensia Anderson, US
|
|
Sedoka*
smooth as the inside
of the whorls of a pink shell
I rise from the warm bubbles
the cool moon outside
bathes me in a pearly glow
as I fall into your arms
*See
the Writer's Handbook
|
|
Gunsaku*
Hexagram
the invention of teabags
makes telling the future impossible
winter sun—
filling the empty chair
by the window
drifting...
into my dreams...
childhood canoe
...by the waves
washed away
by the waves...
swallowing
life rafts of pain pills
with sips of chills
basho's frog
floating in a jar of rain—
fevered dream
another scar—
a new
old me
departing friends—
getting to know my organs
as they fail
Gunsaku* gunsaku (group work) Of haiku and tanka, a group
of poems on a single subject which illuminate the subject from
various points of view, but can be read independently.
William J.
Higginson with Penny Harter, The Haiku Handbook: How to
Write, Share, and Teach Haiku, published by Kodansha
International. Copyright (C) 1989. p. 288.
|
|
Double-reverse Cinquain
Chelsea Flowers
How the
pale peony
mingles with hyacinth,
the slightest trace of roses on
my wrist.
And then,
faintly, on a dark, moonless night
orange blossoms echo
the fragrance of
Spring days.
|
|
Haibun
Kanji
I dip the brush in black ink,
make strokes across the blank white page. If you didn't know,
you might have supposed it a Chinese calligraphy or in some
other Oriental language.
The strokes are scars—sweeping
half-moon curves, a tiny v flock of birds, vertical lines
wavering upward, pagoda eaves, other horizons...in the language
of my self, the kanji means "torso".
scalpel—
getting down
to basic structures
|

top of
page
|